C01 Studios

CONTENT PRODUCTION

One shoot day should feed a whole quarter.

Film, stills, design and copy produced in our own studio in Haifa, planned so a single session fills the campaign, the channels and the website at once.

16:9

The anchor film

9:16
1:1
4:5
Every format framed at the shoot. Your stills replace these plates when they land.
WHERE BUDGETS LEAK

Most content is produced twice because nobody planned it once.

The campaign gets a shoot. Then social needs its own. Then the website needs different images again. Three productions, three invoices, three versions of the same brand, because the brief was written per channel instead of per quarter.

One shoot dayPlanned backwards from everything that needs filling this quarter
FILMThe anchor filmThe two minute piece that lives on the homepage for years
CUTSSocial cutsVertical edits framed at the shoot, not cropped afterwards
STILLStillsProduct, team and environment, shot in the same passes
ADSCampaign creativeSeveral angles, so paid media has something to learn from
WEBWebsite imageryThe hero, the section headers and the proof shots
FRAMED, NOT CROPPED

The same scene, built for every placement it has to run in.

Cropping a wide film into a vertical is how you get a headline cut in half. We frame for each placement while the set is up.

Site hero and YouTube
16:9
Feed square
1:1
Feed portrait
4:5
Stories and reels
9:16
WHAT A SHOOT DAY LOOKS LIKE

Nine hours, planned to the block.

You are on set for the parts that need you and nowhere else. Here is a typical day.

08:00CallCrew in, grid lit, first setup built while you are still having coffee.
09:30Interview blockThe founder or the specialist on camera. This is where the most reused footage of the year comes from.
11:30Product and detailClose work on the thing you sell, captured for stills and film in the same pass.
14:00EnvironmentThe team, the space, the process. The footage that makes a brand feel like a real place.
16:00VerticalsThe same scenes reframed and shot again vertically while the set is still standing.
17:30Wrap and reviewWe cut a rough selects reel in the edit suite before anyone leaves, so nothing is discovered missing next week.
WHAT COMES OUT OF IT

Five kinds of material, from one plan.

01

Brand and product film

The anchor piece. The one a customer watches before deciding you are worth the money.

02

Social cuts

Short vertical edits built from the same footage, framed for the platform at the point of shooting.

03

Stills

Product, team and environment photography for the website, the store, the deck and the press.

04

Design

The layouts, templates and graphics that make it all look like one brand rather than a folder of files.

05

Copy

Captions, scripts and page copy written in Arabic, Hebrew or English by people who write in the language.

WHAT IS INCLUDED

A production department on retainer.

One quarterly plan, one shoot block, one organised library at the end of it.

Before the day
Quarterly content planEverything that needs filling in the next three months, in one list
ScriptingScripts, shot lists and the questions for anyone going on camera
Pre productionCasting where needed, locations, props, wardrobe and the schedule
Talent releasesSigned by everyone appearing, before we roll
The day and after
Studio and crewOur space in Haifa, lighting, sound and camera, or your site if that suits the story
Film and stillsCaptured in the same session rather than booked as two productions
PostEdit, colour, sound mix, subtitles and captions in three languages
Every placementWide, square, portrait and vertical versions delivered together
Asset libraryOrganised, named and yours to keep
WHEN IT NEEDS TO BE BIGGER

Some films are not content. They are the campaign.

Commercials and cinema tier work carry a different crew, a different schedule and a different budget. That sits with the production department, in the same building.

QUESTIONS

The things people ask first.

Either. The studio gives us control over light and sound, your site gives authenticity. Most quarters use both.

Enough for a quarter in most cases. We plan the day backwards from the list of things that need filling, so the answer is known before we book it.

Yes, where the piece needs it. Everyone appearing signs a release before we shoot.

You own the delivered material and the rushes for the work you commissioned. We keep a copy for backup only.

Yes. Scripts, on camera direction, subtitles and captions are handled natively in each language.

START HERE

Tell us what needs filling this quarter.

One call. We will tell you whether it is one shoot day or three, and what it takes to plan it properly.

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